The Master And Margarita

Author: Mikhail Bulgakov; Diana Lewis Burgin & Katherine Tiernan O'Connor (Translators)

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General Fields

  • : 19.99 AUD
  • : 9781509823291
  • : Pan Macmillan
  • : Picador
  • :
  • : 0.3
  • : November 2018
  • : ---length:- '19.7'width:- '13'units:- Centimeters
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  • : 19.99
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  • : books

Special Fields

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  • : Mikhail Bulgakov; Diana Lewis Burgin & Katherine Tiernan O'Connor (Translators)
  • : Picador Classic Ser.
  • : Paperback
  • : 1
  • :
  • : English
  • : 891.7/3/42
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  • : 384
  • : FC
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Barcode 9781509823291
9781509823291

Local Description

CONSTANT READER STAFF REVIEW: LUKE

I am generally hesitant to claim that any book has “something for everyone” but I think this is probably the closest thing I’ve found.
It's a classic of Russian literature that is surprisingly easy to read. It has firm political, social, and religious messages but doesn’t require any prior knowledge. It’s fun. It’s deeply philosophical. It’s a heartfelt love story. It also has a giant talking cat and the literal devil doing magic tricks. 

Honestly this book has so much to say, and says it so deftly and enjoyably, that I’ve read it three times and found new things to love each time.

Description

Mikhail Bulgakov's devastating satire of Soviet life was written during the darkest period of Stalin's regime. Combining two distinct yet interwoven parts—one set in ancient Jerusalem, one in contemporary Moscow—the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue—including the vodka-drinking black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita—exist in a world that blends fantasy and chilling realism, an artful collage of grotesqueries, dark comedy, and timeless ethical questions. Though completed in 1940, "The Master and Margarita" wasn't published in Moscow until 1966, when the first part appeared in the magazine "Moskva." It was an immediate and enduring success: audiences responded with great enthusiasm to its expression of artistic and spiritual freedom.